![]() Resulting in a far better interpolated image. ![]() In part 2, Elliott explains Twixtor Pro and how you can take advantage of open and closed masks to help calculate where the pixels should move frame to frame. ![]() 60p, 60i or if you are using a 5D Mark II use 30p The more frames Twixtor gets to play with, the better! Also, use the highest framerate setting on your camera possible e.g. In the first part of the tutorial Elliott demonstrates the main principles of of Twixtor which you can apply to any video, and how to tidy up any unwanted warping.īefore you start, for best results use a shutter speed that will match your final framerate to avoid blurry slow motion. adjust after effects twixtor pro settings. This tutorial shows how to add OFX plugins and matchbox shaders to individual shots and complete timelines. Please set it to the frame rate you discovered previously in the tutorial. Elliott wanted to share his knowledge of Twixtor so that everyone could benefit from getting the best results out of this extremely powerful program. Twixtor raises the bar in motion estimation. But using some basic camera techniques and Twixtor settings, we were able to obtain a beautiful and clean slow motion effect free of warping. So using slow motion software such as Twixtor, it’s hard to escape the common warping artefacts. These elements (fire and water) are by far the hardest things to interpolate and predict. In Elliott and my short film Incendium, we wanted to show fire breathing in beautiful slow motion with the fire illuminating a nearby water fountain. For most of us the price of buying or even renting a high speed camera is by far out of reach. In the video DSLR era, slow motion has become extremely popular. How to Twixtor in 2 MINUTES After Effects AMV Tutorial Koki 41.6K subscribers Subscribe 540K views 1 year ago Koki Tutorials (FOR BEGINNERS) SMOOTH Twixtor in only 2 MINUTES in After. Thanks to Danny Cooke for this guest blog post! It’s tricky to get right as you need to shoot a certain way and do a fair bit of post…but the results can be amazing. 60FPS is the most we can get out of our cameras generally. There is nothing better than capturing at 2564 frames per second like you can on a Phantom (check out my mini doc with Flex footage here!) but that is out of the price range of most of us.
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